dragoness_e: Living Dead Girl (Living Dead Girl)
Also posted the latest and fifth entry in my Drifters series: It's a Horse, Of Course.

Have I forgotten to post the rest of them? I used to post every new fanfic I wrote here, but I think I have neglected to do so for some time.

Drifters is my World of Warcraft picaresque about a resurrected, mostly unrepentant Arthas Menethil and some random amnesiac Mana'ri Eredar who found him in the Twisting Nether, and their travels about Outland.

On Mithril

Aug. 14th, 2026 02:25 pm
dragoness_e: (Default)
I finally re-did my analysis of elemental metals to find mithril.

On Mithril at Archive of Our Own.

Banned?

Aug. 8th, 2026 10:32 pm
dragoness_e: Ghost Duskwing with no text (Duskwing_no_text)
Every once in a while, I try to comment on an interesting post someone in my reading list has made, and find out that I am banned from posting to their posts. I have no idea why. Was it something I said to them? Was it something I said some third party that they misunderstood, or understood and didn't like? I. Have. No. Idea.

And that makes me sad. I think they are saying interesting things, or I wouldn't be trying to talk with them--I'd just shrug at the block and move on. I don't know what I did to offend them, and since I don't know, I don't know how to not offend them.

I never was any good at making friends.
dragoness_e: Living Dead Girl (Living Dead Girl)
Trump, MAGA, and assorted bootlickers who have caved to the big orange turd and his minions constantly decry things as 'Woke' and 'DEI'.

Let's look at DEI, shall we? It stands for Diversity, Equity, and Inclusion.

To be against all those suggests that one is for Monoculture, Inequity, and Exclusion. Wow, they couldn't go more mask-off if they did it on national TV! (Oh wait, they already have. Repeatedly.)

So, MAGA/Trump/DOGE/etc is all about White Men being the ruling class and keeping all others from joining the upper ranks. i.e., Oligarchy and fascism.

But we knew that. Apparently, they think we are so stupid that they can proclaim their values from the rooftops and we'll lap it up.

BTW, to every organization that trashed their DEI offices at Trump's behest: you are quislings, collaborators, bootlickers, COWARDS. I hope you all fail miserably, now that you have revealed yourselves as without honor, integrity or courage. Just do an internet search on "who cancelled their DEI programs?" if you want to know who can't be trusted to do the right thing under pressure.

Search "which universities cancelled their DEI programs?" to know where not to send your kids to college. A so-called institution of higher education that teaches the lesson of "roll over and offer your belly to tyrants when they threaten you" is not teaching any lessons I'd want young adults to be learning.

To put it simply, if someone objects to DEI, they are a Nazi at heart. Don't appease them, do not obey in advance. Punch them instead.
dragoness_e: Ghost Duskwing with no text (Duskwing_no_text)
I had thoughts today about Star Wars. Ripped from one of my Discords:

Being in SW fandom at the time of the first movie was like being a LOTR fan before the Silmarillion or the Appendices came out. No explanation or context.
We didn't know what a Dark Lord of the Sith was, except that Darth Vader was one. There was an Empire, but the Emperor was unknown. Anakin Skywalker was some pilot who was killed by Darth Vader during the Clone Wars. We didn't know what the Clone Wars were about or anything., just that they were in the past. Maybe they were a war against clones, or a war over their rights as sapient beings. We had no idea. I'm not sure Dark side vs Light side of the force was even mentioned.
dragoness_e: Living Dead Girl (Living Dead Girl)
I have noticed an interesting thing among all sorts of internet folk: in this harrowing time, when it seems like the world is re-enacting the run-up to WWII with the U.S.A. cosplaying Nazi Germany...

All sorts of people have turned for comfort and inspiration to the works of J.R.R. Tolkien. He wrote of a world in dire straits, and in a world in dire straits, in which evil seemed about to triumph everywhere, but reminded us that the Shadow cannot last forever, and there are good and beautiful things forever beyond its reach. He reminded us that even the least of people make a difference by doing the right thing; and that hope matters. "Despair is for those who see the end beyond all doubt; we do not."

People also write beautiful fanfiction about hot elves. We all need some hope and escape.
dragoness_e: (Dragon Tattoo)
I thought we'd have more time together. He wasn't supposed to get dementia this young, and he isn't supposed to be dying in hospice now. He'll never get to read the books I'd planned to write, and he wanted to so much. We'll never get to play another TTRPG campaign together, and I had some ideas for one I really wanted to do with him. I'll never get to see Yosemite with him. We were supposed to have another 20 years together, at least. His father is still alive at age 92, and he should have lived at least that long. I won't get to retire and move north with him, and go on hikes in the woods with him.

I've been slowly mourning the possibilities being cut off one by one as the dementia advanced, but there was always a slim hope that it was a form of dementia that could be fixed or controlled with medication. Now there is no hope; he is dying. There are no more possibilities with him, and I grieve.
dragoness_e: Living Dead Girl (Living Dead Girl)
So far, every single fanfic longer than about 400K words has been in desperate need of editing. No, I am not including series whose cumulative word count is greater than that, because the smaller individual stories are usually fine. I am referring to single fics that weigh in at 500K or more.

If you are writing purely for self-indulgence, and don't care if no one else reads your fics or likes them, fine, this doesn't affect you. However, if you are writing for an audience that you hope will enjoy your fic, please look over your massive epic carefully. In my experience as a reader, the middles of such fics are often rambling, with the plot wandering in repetitive circles, or the main character having redundant character-development arcs, or otherwise slow and boring.

Less is more. Prune some of those plot branches; tighten up your character-development arcs. You don't need to show every minute of the main characters recovery from trauma, or falling in love, or having important epiphanies. You don't need to have the main ship characters having the same argument over and over--let them settle it the first or second time! Hit the highlights and key epiphanies of character-development arcs--don't grind them into the dirt with repetition. Move the plot along. Let stuff happen; keep the reader interested. Have an end point in mind, and stick the landing.

I have yet to see a single long story that couldn't have been told in 350K or so words, at most. If there are multiple major, long plot arcs, you might actually have multiple stories in a trench-coat, and should recast it as a series of stories. Otherwise, your story probably needs some editing and pruning; it's gotten leggy and tangled.

Just don't bore your reader, because that's more likely to lose them once they've started reading than missing content warnings or the wrong ship.
dragoness_e: (Echo Bazaar)
I recently borrowed the "Justice League: Totality" graphic compilation and read it, along with "Dark Knight: Metal". One, Scott Snyder loves his non-linear story-telling (and I wish he'd be a bit more linear); two, Lex Luthor has been handed the functional equivalent of the One Ring by an unknown evil power.

In Totality, I'm pretty sure Luthor is an Unreliable Narrator--I mean, he's a lying, scheming S.O.B., why should he be telling the truth now? Especially when he's assuring all and sundry that he's really, truly telling the truth! Pull the other one, Lex; it's got bells on.

Either he's lying about his trip to the far, far future and his epiphany there, or he's having some really good delusions. He said himself that he'd pushed himself to his physical and mental limits, travelling up and down the timestream. He was presumably exhausted--and then he so conveniently falls into a distant millon year future where the locals are not just recognizably human, but wearing costumes based on 21st century supers? And they have a giant image of Lex Luthor, and know his personal history as the guy who discovered "the Truth" about humanity? Right. Sure. That's just the kind of delusion a narcissistic sociopath like Lex Luthor would have--one where he's been proven right about everything by all of humanity in the end. He then wakes up back in his lab, which definitely makes me think he dreamed or hallucinated that whole sequence.

He finds the doorknob that's the key to the rest of the story arc. It apparently has the power to kill Vandal Savage, and with it in hand, Lex is strangely persuasive to people who would otherwise try to kill him for sport. He's convinced by the doorknob of Doom (literally, it has the Old Martian emblem for Doom/Fate on it) that not only is all humanity really like himself, deep down, but that the entire universe is designed to be evil, cruel, and selfish. That's a helluva projection there, Lex!

The people who get caught up in Luthor's Legion of Doom are the same kind of people--narcissistic, sociopathic, evil, and they inevitably agree that their internal vision of humanity is the natural bent of the universe. Of course they do.

I am reminded of Sauron, who cannot imagine that someone would willing destroy the One Ring rather than use the power it grants. The Legion of Doom are unable to imagine a universe in which people are not all selfish assholes like themselves, starting with and especially including Lex Luthor. To Luthor, there is no other possibility--and, like the One Ring, the One Doorknob seems to feed Luthor's delusions about the universe and inflate his own sense of power. The Rings of Power that Sauron handed out purported to grant visions of things both Seen and Unseen, but ultimately what the user saw were the delusions and phantoms of Sauron's devising. I think that's what the One Doorknob is doing to Lex and his Legion: feeding them delusions and ideas based on someone's evil and selfish ethos. Who is that someone--Barbatos, Darkseid, Luthor himself? Don't know, haven't read beyond that.

However, I think the writer of this saga very cleverly used the One Doorknob as the functional equivalent of the One Ring, or of the Witch-King of Angmar's Ring, and showed what it did to powerful, evil leaders. It seduces them with megalomanic visions and delusions of the "Truth" of reality, and made them very persuasive rulers of men.

Is my interpretation correct? I don't know, but it's interesting.
dragoness_e: Living Dead Girl (Living Dead Girl)
I've learned some important life lessons watching Columbo and Perry Mason and "Murder, She Wrote".


  • Don't be the biggest asshole in your family or social group. You'll get murdered.
  • If you find a dead body, call the police and your lawyer immediately. Do not call your brother/cousin/uncle whose first notion is to hide the evidence and dispose of the body. It makes you look really guilty, and it's probably a felony.
  • If you find a dead body with the murder weapon laying next to it, don't pick up the weapon! If you do, someone will inevitably barge into the scene and witness you standing over the dead body with the murder weapon in hand.
  • Don't make death threats, even casually. If you do, someone will inevitably overhear you and tell the cops about it after the person you threatened turns up dead.
  • Don't blackmail the murderer about their crime. They've already killed someone once; no reason not to make you number two. (Seriously, every time someone in either Columbo or Perry Mason blackmails the murderer, they get murdered. Every Single Time.)
  • If you're the murderer and you've constructed what you believe is the perfect alibi/frame-up, don't double-down on the frame when Columbo starts questioning your alibi/frame. Just pretend you have no clue why things don't add up--the world is weird that way, isn't it, Lieutenant? Also see next entry.
  • If Columbo (or J.B. Fletcher) keeps turning up to ask questions about "one more thing", get a very good criminal defense lawyer on retainer, and follow his advice (which will be "Shut the fuck up!"). I recommend Perry Mason. You'll need them.
  • If J.B. Fletcher or Columbo show up to confront you about the murder, don't add to your felonies by threatening violence. Fletcher and Columbo ALWAYS bring backup of the armed and official variety. Perry Mason does his confrontations in the courtroom, so you have no hope in violence there.
  • Don't bother faking your alibi by time-shifting the tapes or staging fake phone calls to dead people. Columbo has seen that too many times.
  • Don't bother threatening Columbo with your friends in high places. They're not going to pull his badge on your say-so, because he has a far higher clearance rate on "homicides committed by rich, influential assholes" than you do.


One more thing I've observed watching these shows: Columbo is an idealized police detective. He's courteous, patient, and gets warrants for searches. Likewise, on "Perry Mason", Lt Tragg is another idealized detective: he won't plant evidence, he gets warrants, he doesn't rough suspects up, and he got very angry with one of his sergeants who tried to get rough with the lawyer. Hamilton Burger, the DA, is also an ideal: he's a zealous prosecutor, but not overzealous: he wants justice, not convictions. When he realizes that Perry Mason is right and someone else is the murderer, he drops the case; he doesn't double down. He has openly said that he cares about justice more than scoring convictions, and that convicting an innocent would be unjust. He does sometimes take a lot of convincing that he's wrong, though--he brings charges based on evidence and/or witcnesses, after all.
dragoness_e: (Echo Bazaar)
Happy New Year to all!

In spite of portents and prophecies, may you all have a good year anyway!

If you've heard too much negativity and doomsaying, I give you Iron Maiden's Die With Your Boots On.

dragoness_e: Living Dead Girl (Living Dead Girl)
I hope any of my mutuals in Florida are well back from the shoreline and hunkered down or evacuated somewhere safer. This looks like another Katrina, only in Florida--which is to say, an Andrew or an Ivan.

God help us it isn't a Camille.
dragoness_e: (Echo Bazaar)
I read To Kill A Mockingbird over Labor Day holidays for the first time.

It was not the story I thought it was from all the Atticus Finch quotes around the internet. I expected an uplifting courtroom drama; I got a bittersweet coming-of-age story about a young girl growing up in Depression-era small-town Alabama. The bitter: good guys didn't win; the innocent man died instead of going free, and the town is full of racist assholes for whom Justice is another "Whites Only" thing. The sweet: the protagonist learned not to judge people based on gossip, and that not everyone was a racist asshole.

Alas, at my age, "coming-of-age" stories have all the appeal of a soggy dog biscuit. I outgrew them long ago. The stark portrayal of the racism and the unwritten codes of how the races were permitted to interact was interesting--as were the exceptions: the rich landowner who lived with his black wife and mixed-race children and didn't give a damn what people thought of him. Even he pretended to be a drunkard to provide an excuse for his relationship, to protect his family.
dragoness_e: (Echo Bazaar)
I recently finished reading Barbara W. Tuchmann's The Proud Tower: A Portrait of the World Before the War 1890 - 1914. Like all of her other books I have read, such as The Guns of August and A Distant Mirror, it was a very educational look at history I didn't know very well if at all.

One major takeaway about that period of history was that Anarchists and Marxists were about as useful as teats on a boar hog (to use an old expression).

Anarchists were (and presumably still are) fatally allergic to organized activism or politics, because organization and hierarchy are against anarchist principles. Unfortunately for them, that means they have no political power whatsoever. Their strategy, such as it was, was stochastic terrorism ("Propaganda of the Word") and plain old terrorism ("Propaganda of the Deed"). By murdering bosses, leaders, rulers and other oppressors, they thought that they could somehow spark the masses of working people to spontaneously revolt and overthrow all the oppressors and usher in a golden age of harmonious anarchy. Which is to say, Anarchists were either as dumb as posts, or had never actually met other human beings before.

Syndicalists were another development of Anarchism, except instead of throwing bombs and shooting rulers, they believed that General Strikes would magically bring about the overthrow of capitalism and usher in a new golden age. They seem to have overlooked that most union men consider strikes a tool to achieve a specific goal, not another way to have a revolution.

Orthodox Marxists believed in Marx's prediction that Late-stage Capitalism (a term the internet gets from Marxism, I believe) would lead to ever-increasing poverty for the working class, ever-increasing wealth for the ultra-rich, and the destruction of the middle-class, and this miserable state would lead in turn to the the collapse of Capitalism and the seizure of the means of production by the working class, ushering in a golden age of socialism (communism). Orthodox Marxists wanted nothing to do with improving conditions in the here-and-now for the working class, because that would delay the final collapse of Capitalism. Also, they were organized, but shunned getting involved in politics, because that would require joining with the bourgeoisie and playing by Capitalism's rules.

Both Anarchists and Orthodox Marxists struck me as being like evangelicals awaiting the End Times, and doing nothing to improve things for those suffering here and now, because "Jesus will take us all up into heaven by and by." In their case, the "inevitable working class revolution" was their future Rapture event.

Revisionism, a branch of Socialism that popped up in the Edwardian period, suggested that Capitalism didn't look like it was going to collapse any time soon, so maybe we ought to work with the existing government and get involved in politics and try to improve things for the working class. They were regarded as a bunch of heretics who would destroy the fabric of socialism by the Marxists, but I believe they're probably the origin of modern social-democracies in Europe today.

Also, Trade Unions had little use for Marxists, because Marxists didn't care to work for social safety nets and the 8-hour day and all those benefits that lift the working class out of desperate poverty. Unions weren't interested in overthrowing society, they just wanted to make things better for their members. They were actually useful and they and the socialists willing to work with them on their goals actually got things done.

(cross-posted to Tumblr)
dragoness_e: (Echo Bazaar)
I've been re-reading the Nightwatch Discworld sub-series, by Terry Pratchett. Contrary to what some might think, it's not 'copaganda'. Terry Pratchett portrays his cops (the Day Watch and the Night Watch) as very real characters, and most of them are either lazy and corrupt, lazy drunkards, lazy petty thieves, petty thugs, or petty authoritarians--up until Carrot joined the Night Watch and cleaned it up. (See the story Guards! Guards! for that.) Even Sam Vimes, the character we follow through all the Night Watch novels, who understands what a cops job should be, thinks nothing of using trickery and intimidation to get suspects to talk. The time-travel novel in the series, Night Watch, has a lot of Sam Vimes the Elder laying down what lines a cop should not cross and what a cop's job is. (Thesis: It's "Keep the Peace". Cops are supposed to de-escalate fights. For a cop, whole point of arresting criminals and putting them in front of a judge should be to keep victimized people from taking the law into their own hands, and to stop people from doing things to other people that make them want to do that. That's the whole point of having laws in the first place--"every man for himself" is a bloodbath.)
dragoness_e: (Echo Bazaar)
"Going Postal" by Terry Pratchett is a fantasy novel about Ankh-Morpork's moribund postal service and the semaphore company competing against it. It's also a prescient view of what happened to Boeing Corporation. Just change the names from Boeing to Grand Trunk, and Dave Calhoun to Reacher Gilt, it's the same story.
dragoness_e: (Echo Bazaar)
Thesis for discussion: Moving Pictures is Terry Pratchett's Discworld retelling of H.P. Lovecraft's prose-poem Nyarlathotep.

Crossposted to Tumblr.
dragoness_e: Me in the pink straw cowboy hat (Pink Hat)
..for the first time in several years. Out in front of the museum, there is a fountain full of gorgeous water lilies.


NOMA Waterlilies
dragoness_e: (Default)
A large black dog with pointed ears resting on a rug-covered couch.

We said goodbye to Elsa today, after six good years with her. Cancer sucks.
dragoness_e: (Echo Bazaar)
"[profile] dragonesseclectic@mastodon.social"

I have no idea if I'll ever post anything, though.

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Dragoness Eclectic

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